It was just an adjective.

Simple sounds
muffled amongst the layers of meaning
that wrap overlap and veil
Meant to convey
they confuse refusing to be as simple as they seem
Because we’ve imbued them all
Convoluted them all
And if they’re not in a dictionary yet, just you wait
And the words on the screen broken down
are just pixels perceived by your eyes
Any meaning perceived
all lies behind
where the lines are converted to sounds
wrapped around and around with meaning
A mean thing
created by the creatures determined to drown out the actual sounds and
Perhaps the magic of music is found
in the substance of sound without meaning,
sound just being

If I could only just be.

And feel

(The wind of the word
a i r
and the Teeth
(Are you feeling your Tongue Touch the Tip of your Teeth
and your breath breath breath)
the swish and the swash of the grass and
the buzz of the bugs
and the squish and the squash of the marsh
and the gal-lop gal-lop gal-lop)

When did sounds become words
and words become meaning
and meaning become so abstract
that I can’t even grasp what it is to mean.

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It was just an adjective.

Below the Line

There’s a sickness in my soul
It’s filled with self-creating holes
The blood both paint and soap
washing painting losing hope
Entropic forces rip apart
Tear the wholeness of the heart
Ceaseless void and darkened eye
Deep and never-ending sigh

(abstractrelationsvi)

Below the Line

Referential Existence

Words are so remarkably frustrating. They never fully encapsulate what I am trying to convey… the swirl of thoughts and logical strands, the elegant images and buzz of emotions tingling in my veins… they never flow out of my mouth, instead they tumble and crash like the waves on a beach trying to reach the dunes but failing because their shoes have been tied together and so they fall on their face and are dragged back to the sea of confused meaninglessness by the moon, which doesn’t even make any sense because the moon is so far away so how can its influence reach us.  These things, these letters and words are so limiting so constraining so endless so infinite so definable so utterly incomprehensible…

I took a poetry class in my final year of college.  I sat in a desk,
watching our professor try to pull the strands
just enough to let the light come through the impressions painted with pens,
just enough to get a glimpse of the supple curves and delicate skin,
without shedding the fullness of the harsh light that would shatter the seduction.
Just enough to convince us that we are not alone in our aloneness,
that others, too, are thwarted in their attempted sharing of the solitary oneness of self,
looking to the tilted mirrors of those around them, disappointed.1
Yes, and2
That others, too, recognize words as an elegy to what they signify,3
wavering between being and loss, awash in an incommunicable sea of existing.
That others, too, have sensed the strangeness of holding an unusable, yet somehow beautiful, broken tile of memory 4 in hand with a gentle wondering of what to do
that others, too, feel themselves at the center of a powerful and baffled will,5
Yes, and that others, too, are desperately avoiding erasure6
Aware of oblivion’s inevitability7
And the feeling or fact that
what has been done will be done again
and that there is nothing new under the sun8
And that originality is a myth
And that why is ultimately unanswerable

And so,

Vladimir:             What do we do now?
Estragon:             Wait.
Vladimir:             Yes, but while waiting.9

 


1 Hass, Robert. “The Apple Trees at Olema.” The Apple Trees at Olema. Harper Collins, 2010.
2 Rankine, Claudia. Citizen: An American Lyric. Graywolf Press, 2014.
3 Hass, Robert. “Meditation at Lagunitas.” The Apple Trees at Olema. Harper Collins, 2010.
4 Hass, Robert. “Novella.” The Apple Trees at Olema. Harper Collins, 2010.
5 Hass, Robert. “Misery and Splendor.” The Apple Trees at Olema. Harper Collins, 2010.
6 See footnote 2.
7 Reference to John Green’s The Fault in Our Stars
8 Ecclesiastes 1:9
9 Beckett, Samuel. Waiting for Godot. Grove Press, 1954.

Referential Existence

He said; He said.

The water of brain
in the pool of her skull
and the endless reverberations of ripples
Ad infinitum
Of a voice she never actually heard
And ever since she put pills as plugs in the drains of her eyes
There’s still two ways in and one way out
But trapped by the tongue
So no way out,
really

“I see no architecture here”

They said that to him too
A variant
(Why the constant connections)

“I see nothing here”

She thought he was dead
And he may be
For the emotions surely are
She killed them
Gagged them
Anything to forget them
Because they were
A constant confusion
Though it was simple,
really

“I see something here”

He seemed to say,
And she had been waiting,
waiting for so long
To be seen.
Not the facade fabricated,
the person of performance,
The Seen Self

No

a gentle thread to a
fragile whisper
of a being
so long protected
it was mistaken for myth

However

Seeming is dangerous,
For to seem is not to be,
And she’s always been
too trusting,
And she’s always been
too hopeful,
Blinded by her belief
in her own doubt and cynicism
and their perfidious proffer of protection
against the hurt of hope
unfulfilled.

Now left with simultaneous aches
from the words said and silent:
An ache to return and remember
and an ache to flee and forget,
She sits
wondering if she would have done anything different
had she known.

 

He said; He said.

Side Effects

The Cure for Curiosity
of the whys of the world is the
disease of distraction
bound by the blindfold of busyness;
and
The Cure for Curiosity
of the whys of the world is
healed by a hope in holiness,
the affliction of arrogance,
bound by the books of beliefs,
and crippled by caring;
and
The Cure for Curiosity
of the whys of the world is the
dispassionate data disorder (DDD),
the sickness of scientific certainty,
and the obsession of the observable;
and
please
don’t perceive these as Placebo,
or the illness as imaginary;
don’t desire the death of difference.
Just be aware
of the odor of obstinance,
the constipation of conversation,
and the
Elixir of Empathy.

Side Effects

The Walrus in the Room

“The time has come,” the Walrus said,
“To talk of many things:
Of shoes–and ships–and sealing-wax–
Of cabbages–and kings–”

Of who will win tomorrow’s vote
And what the future brings.

And I, for one, am tired of
The choice of evil less
And Neither do I wish to win
For both would be a mess.

And so instead I vote to change
This system from the past,
For these two parties failing us
To come an end at last.

For if they get just five percent
Another could arise
To change the nation’s standards
Right before our eyes

“I weep for you,” the Walrus said:
“I deeply sympathize.”
With sobs and tears he sorted out
Those of the largest size,
Holding his pocket-handkerchief
Before his streaming eyes.

“O Oysters,” said the Carpenter,
“You’ve had a pleasant run!
Shall we be trotting home again?’
But answer came there none–
And this was scarcely odd, because
They’d eaten every one.

The Walrus in the Room

Beneath the Insomnia

_20160923_184552.JPGShe paints the same canvas
Again and Again
In her dreams
while they sleep
and it sleeps.
Because otherwise
they never stay still
long enough
to dry
Her tear
drops of paint
That leave trails
of subtle color
behind them
And behind them
previous paintings
also made without brushes
That always end up
painted over
the next morning
to hide the evidence

And the canvas of it all
Is her face
and her fears
For at the core of each night
when stripped down
She will always find that stark white woven surface
of fears and insecurities
whose texture shows through each layer
And whispers to her
between brushstrokes
Reminding her that
There is no escape
For gravity cannot be bribed
And the running never stops because he’s holding death in his hands, at her head, and as the neurons fire she finds they sound remarkably like gunshots and all she seeks is safety and sleep
But she can never find foundness
Awake or asleep
So as she tries to decide which one is less terrifying,
She paints.

And
at the core of each night
mare each poem each painting,
Remains a reminder of running,
is running.

Beneath the Insomnia